THE ART SONG FIX
Fourth Coast Ensemble's Blog
La vie en rose is the song that launched cabaret singer Édith Piaf to international success. The original 1947 Colombia Records pressing of the single sold a million copies in the U.S. and was the number one best selling single in Italy that year. Piaf, who authored the lyrics, collaborated with a number of composers on the music, although the musical authorship was ultimately attributed to Luiguy. This became one of Piaf's signature songs and was included on most of the subsequent albums she recorded in her lifetime.
However, success was hardly prescribed in her life. She fought to overcome many difficult circumstances to achieve success as a chanteuse, starting right from the beginning when her mother abandoned her at birth. She was raised in a brothel until age 14, when her father took her on the road and trained her as a street performer and acrobat. She became a young mother herself at age 17, and overcame extreme stage fright to make her cabaret debut at age 20. Music changed the course of her life over the next 10 years, until 1947 when she would record La vie en rose.
Knowing the basic facts of Piaf's life, one can appreciate the sentiment of this song even more. The title translates as "Life through rose colored glasses," and the lyrics describe the protective emotional cloak that a love affair can provide at it's height. "When you press me to your heart / I'm in a world apart / A world where roses bloom." This bittersweet sentiment was at the core of Piaf's greatest hits and very identity: life may do its best to break you down, but as humans we can still find beauty when we choose look for it.
I hope you enjoy this performance from Fourth Coast Ensemble's March 3, 2020 Between the Lines concert, featuring my own rendition of this iconic song with pianist Kuang-Hao Huang.
Friends, it is now September. Somehow, despite the bizarre timewarp of our current coronavirus existence, we have traveled through the heart of the summer months and landed in the start of autumn. And back to school.
As a child, I loved this time of year. The excitement of new school supplies, curiosity about what I’d learn, and return to the classroom was thrilling for me. (Knowing my nerdiness as an adult, it should come as no surprise that I was just as nerdy - if not more so - as a kid.) I was deeply serious about digging into questions, imaginative play with classmates, and anything having to do with animals.
So many of these childhood memories and emotions come vividly to life in Lita Grier’s Five Songs for Children, which Bridget and I performed with pianist/curator Dana Brown in our Wine, Women & Song parlor concert series two seasons ago. We are especially fortunate to call Grier a friend of the quartet, and had the privilege of coaching the songs with her in advance of the performance recorded here. Her insight was invaluable!
Each short song in the cycle is a distilled encapsulation of the poem it features, uniquely matching the words and content of each distinct poet; yet the set feels a complete, cohesive whole. There is a clarity and directness to their presentation of a child’s perspective, while avoiding oversimplification or childishness. The voices of these children (through the poets and music) are taken very seriously, as indeed they’d take themselves.
Speaking of voices, Bridget and I worked closely with Lita to find tone colors for the performance of these songs that would best suit this intention. While still singing with our whole voices, Lita pushed us to seek a leaner side of our sounds, capturing a child’s perspective without caricature. It was also a fun challenge for us to find new ways to match one another’s tones - sharing a song cycle originally intended for a single singer - while honoring our individual voices, and making specific choices for the sound world of each song. From pure enthusiasm in Afternoon on a Hill, to imagination in The Seashell, the mystery and surprise of Someone, serious wonderment of Who Has Seen the Wind? and finally joyful celebration of song in The Bluebird, each song brings a different mood of childhood to light.
Do any of these speak to you? Which song captures a bit of your childhood memory best? We’d love to hear!
Hello, and welcome to the blog! We are Fourth Coast Ensemble, Chicago's classical vocal quartet. Join a different member of our ensemble each week for insights into our favorite art songs, links to archival and new recordings, and reflections on why we value and continue to come back to this musical medium. We proudly present, your weekly #artsongfix!